Glenn Case Interview

Check out the Case No Point Podcast, run by Glenn Case. It's a slick production and on episode 6, Glenn's guest host Brian C. Baer interviews Glenn. It's very entertaining and we love Glenn, who is a music machine. If you're not familiar with his music, have a listen.

Glenn can be found on The Sixty One here.

Each Passing Day free track!

Check out the newest track from Loren Radis and his band Each Passing Day. It's a free download of an exclusive track.

Download MP3: If You'll be Mine

Here's a video of Loren explaining the free song promotion, in which Microsoft is going to give the band 50¢ per download.

Interview with Flight Crash Companion

This week I caught up with Evan Cooney, the man behind Flight Crash Companion. He released his fourth album, No New Message, on June 23rd, and it’s currently a free download at his web site.


Max Bumps: So tell us a little about yourself. How did you get started with performing and recording music?

FCC: My dad always had really good taste in music, so I grew up listening to a lot of great records. But it wasn't until probably Nevermind that I got really interested. That record was so raw and different and exciting (at least for my little sanitized world). It was the first time I remember music really making me feel something. After about the 500th spin, I got the idea that maybe I should be making my own and convinced my parents to buy me a guitar. Playing guitar was fun, but it wasn’t until I added other people into the mix that I truly fell in love. I LOVED writing songs and playing. It never got boring, it was never finished, it could always be better. And then, thanks to the home studio revolution, I was able to actually record my ideas and that was it for me. Music was all I wanted to do.


What's behind the name "Flight Crash Companion"?

FCC: It's a little morbid, but the name came to me while sitting on a plane. I thought about the plane going down, and having a minute or two before I die, and this person sitting next to me experiencing the same awful set of emotions and thoughts, and that maybe having someone with me would make it a little less awful. Later it sort of morphed into a metaphor for saying we're all in a slow descent towards death, and there’s a person or thing in your life that could be your companion, and make it a little less awful. So it's hopeful, and morbid.

What other musicians influenced you? I saw that you did a Pink Floyd cover.

FCC: My biggest influences are NIN and Elliott Smith. Between the two of them, you have every range of emotion perfectly covered. I am constantly in awe of Reznor's work. His ability to create these incredibly intense emotional soundscapes within the confines of classically good songwriting is brilliant. So heavy, so dark, so beautiful... And Elliot Smith is so fucking next level, I can't even begin to dissect his body of work. I hate using the term 'genius' to describe artists, but he really is.


What instruments do you play, and what goes into writing/recording a song?

FCC: I play drums, guitar, keys and sing. Each song is approached differently, but they always end up the same -- me obsessing about every stupid detail. "Are the vocals too loud in the chorus, should the snare be 2dB hotter." All the stupid things that no one notices and have nothing to do with good songwriting. All the FCC songs that poeple like were written in about 2 hours, and recorded over two or three weeks. If it's a good song, it comes naturally. It's a big red flag when you start spending 3 weeks working on the second verse lyrics.


Have you found that the more you record, the easier it gets? The response to No New Message seems to be overwhelmingly positive.

FCC: It gets easier and it gets harder. Easier in the sense that you can reuse equipment settings and techniques to achieve similar sounds, but harder in the sense that the more you know about recording, the more you obsess about the sound quality. I've recently decided it's really better to leave all the technical decisions to the pros and focus on the music yourself, but when you're a one man show, you have to be involved in every aspect of the song production. So it's good and bad.


You're incredibly involved on thesixtyone. Has the response from the community changed the way you promote your music?

FCC: My fans on T61 have been incredible. I owe them a lot. Everyone on that site is an avid music fan. I use the feedback from songs to help me determine things like "what should I put in a set," "what should be the single." T61 is the ultimate focus group: informed, brilliant, no bullshit. People on the on the T61 have incredible taste and passion. The guys who created T61 are brilliant, and the people on that site are top fucking notch. I really can't express how much I love it.


What is the song “Mr & Mrs Fader” about?

FCC: That song is actually so all over the place, it's hard to summarize the main message. It covers a lot of FCC topics...pining, decadence, loneliness, drugs, wanting to fit in, the absurdity of human emotion. Out of the 25 or so songs I've released, it's one of the least focused (lyrically) but also one of my favorites. What does it mean to you?


I had this image of a detective investigating a married couple, while at the same time enamored with whatever it is illegal that they're doing.

FCC: Haha, awesome. People’s interpretations are sometimes better than my own ideas.


No way, your ideas are fantastic. Thanks so much for your time.

FCC: This was a lot of fun. Your questions were great!


- Laura Bradford

Video: Fleet Foxes - Mykonos

Alicia who works with me at Toolfarm posted this new video from Fleet Foxes today. Stop motion paper animation by director and animator Sean Pecknold along with artist/illustrator Jesse Brown for Fleet Foxes. After Effects was used to finish the final sequences.



Making of video:



"Our last 4 weeks stitched together. Mainly timelapse of setting up each shot."

A Conversation with Sum: The Lone Wolf

All of you from The Sixty One are certainly familiar with SumKid. I spoke with him about his incredible new album with Belief, The Lone Wolf. It is available at iTunes, The Orchard and all over the web and I highly recommend it. It's one of those albums that gets under your skin and you just want to listen to it over and over.

A Conversation with Sum: The Lone Wolf from Michele Yamazaki on Vimeo.

My First Earthquake: new album and video

You only wish you were as cool as My First Earthquake. The San Francisco indie-rock band, generally known for being awesome, just released their music video for "Cool in the Cool Way."

Their songs are delightfully quirky, and worth a listen for their hilarious lyrics, groovy beats, and fantastic vocals and delivery. Their first full-length album, Downstairs, is out now.

Video: N.A.S.A. - A Volta

Note: Not Safe For Work (NSFW): Language, nudity, violence (of course, it's all animated and in Spanish!) This is some seriously cool animation. Pretty freakin' amazing work.

Video by Logan, who are most well-known for its work on the Apple iPod Silhouettes campaign. Art by The Date Farmers, aka Armando Lerma and Carlos Ramirez.



I love this quote: "Ingenious beats + more guest stars than 'Love Boat' + Martian booty dancers = the party album of the year" - SPIN Magazine

Here's the "Mocumentary Making of" video:



Extra bonus: MP3 download: Download Treasure Fingers Epicwave remix mp3 of N.A.S.A.'s "Gifted"